Attributed to Duncan Phyfe (1770-1854)
New York, c. 1820
The rectangular top with out-set “cookie corners” above a conforming case with three drawers, the top drawer with adjustable writing surface retaining original baize writing surface framed with gilt-stamped leather border and separate compartments for ink well, sander and pen cradle, the second drawer fitted with small compartments, raised on turned and reeded legs holding a low shelf, raised on turned feet and brass cup casters.
H: 30¾” W: 22¾” D: 17″
Condition: Very Good: The top has two small veneer patches and a spline filling a shrinkage crack, a break to the right stretcher supporting the shelf has been repaired. The surface has an old re-finish and the original brass pulls and casters have been restored to their original lacquered matte and burnished appearance.
The attribution to Duncan Phyfe is based on the very close relationship between this table and one that descended in the family of Phyfe’s daughter, Eliza Phyfe Vail, illustrated in Peter M. Kenny and Michael K. Brown’s Duncan Phyfe: Master Cabinetmaker in New York (New York: The Metropolitan Museum of Art, 2011), p. 285, Appendix 2.17. Phyfe seems to have been fond the device of clustering ring turnings on Sheraton-style turned posts seen on this table, using them, as well, on a dressing table for Eliza (Kenny, 2.16), and later on a set of nesting tables for Governor John L. Manning of Millford Plantation (Kenny, 267, pl. 65). The turnings of the feet of the present table, though different from the Eliza Vail example, have the undercut turning characteristic of Phyfe’s work.